Friday, December 23, 2016

How to Shoot Silhouettes at a Studio

Silhouette pics are dramatic and unexplainable. In the studio, you may earn silhouette portraits that get across this sense of excitement and mystery by paying consideration to the lighting. Normally with portraits you light someone, but with a silhouette, you take all or much of the light off the figure and wear it the background instead.

Instructions

    1

    Set upward a light source which is to be behind the model. If you suffer from a large softbox, this tends to work beautifully. If you do not have a softbox, darken the room whenever possible except for one home window. Drape a sheet as well as a curtain over this display or glass door to create a soft, diffused lgt behind the model.

    2

    Set in the camera on the tripod. Ask the model to attempt several different poses at different distances from your light source. The closer the model may be to the light source, the harder details will show up to the edges of the body, which can be an important desired result. The further the model gets from your light, the darker he'll appear.

    3

    Meter the model and therefore the background. If you are selecting the zone system, the setting should fall in area 7 or 8, along with the model in zone 3 or maybe 2. Therefore your meter could be set for an exposure concerning those two zones, for zone 5. For case, if you have a particular EV of 11 for your light meter for the setting, and the model states about 6 or 7, would you good range of valuations. Set the meter in 9, halfway between these kinds of EV values, and read your exposure information from the light meter. For a film speed of 400 along with shutter speed of 1/125 of any second, your aperture might possibly be f/4. A shallow depth of field is a really good thing in your silhouette.

    4

    Look in the histogram on your camera. You will be exposing for those background, which should look pretty much blown out to pure white for the histogram. This way the model will be very dark, while the setting will be very shiny. You can adjust any image with editing software later to remain somewhat darker if sought after.

    5

    Make this exposures, bracketing some advisors by shooting one style at an aperture just above your decide one frame below the "correct" being exposed. This way you might discover some images that are actually even better than things that you planned.



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